New Posts

4th August
2010
written by

The EXPOSURE search for photography became an international phenomenon, attracting entries from around the world. Great photographers participated from Morocco to Mexico, from Seattle to Shanghai and from 80 other countries. The work submitted transcended language, revealed culture and told countless stories from every corner of the planet.

Click here to view 50 exemplary portfolios .

 


An Opportunity for All Artists,
 What would you create for $5,000, three months in NYC,
and your very own art show? Artists and photographers of all
disciplines have until midnight tonight to participate in this
exclusive New York City residency program. .

Click for details & to submit!

 

Use promo code “ArtistsWantedFinal” and your first submitted image is free!

 

 
3rd August
2010
written by

I just wanted to apologize for the lack of posts here lately.  We’re in the process of finding a new house and moving and my free time is scarce.  I’ll be posting regularly soon.

27th July
2010
written by

It turns out that a $45.00 buy at a garage sale will be worth $200 million for a lucky Californian.  Rick Norsigian bought two boxes with 65 glass negatives that were made by Ansel Adams.  This has to be the garage sale find of the century.  All of these negatives were thought to be lost in a dark room fire in the 1930′s and none of them have been printed before.  The funny part is that Rick talked the seller down from $70.00 to $45.00.  I guess he was worried about his return on investment.  I might just have to go to some garage sales this weekend!  To see the entire article from CNN with pics click here.

27th July
2010
written by
Be a Pioneer
And Be Rewarded
Introducing the Impossible
Pioneer Card
We have always felt like analog pioneers here at The Impossible Project, and in keeping with the pioneer spirit, we’ve forged ahead even when faced with unexpected results and challenges. In the beginning, we were not even sure if the Impossible Project would be possible. When we found out that it was, we were hit with major challenges in our first batches of film. But we all worked together – you with us – and found creative ways surmount the obstacles and make beautiful images. As we move into the future, we will continue to collaborate and find clever ways around any problems we encounter

For all of you who don’t want to wait until our films are perfect – those who are brave, strong and crazy enough to jump into the adventure now and to invest time and resources into helping us pave this Impossible analogue road, we are delighted to offer the Impossible Pioneer Card. This brings you several fabulous benefits – most importantly a lifetime discount for all present and future film products by Impossible.

The Program
Of The Impossible Pioneer Card
The Impossible Pioneer Card is dedicated to online customers who support the Impossible and who pioneer the road towards the future of analog instant photography together with us. Without you purchasing our Impossible products from the very start, bravely facing all the challenges of our analog adventure, the further development and continuous production of Impossible instant film would in fact be impossible.

Pioneer Cards will only be issued to those of you who have supported Impossible from the very beginning on March 22, 2010 and will continue for our first year, ending March 22, 2011. During this time, our first production runs and super new products will include a splendid portion of unpredictable results. As soon as the first year of Impossible’s film development and production has ended and Impossible’s production team had had enough of time to optimize our films, no new Pioneer Cards will be issued. The Impossible Pioneer Program is only accessible to end-users.

The Impossible Pioneer Card is based on a dynamic point system: One Impossible film pack purchased in our online shop credits 1 point. From the very start you automatically collected these points with every online purchase of Impossible Instant Film.

Collecting points and meeting our requirements will advance you through the 3 levels of the Pioneer Card program: starting with Pioneer Level, continuing to the Land Level and finally reaching the Impossible Level.

1. The Pioneer Level
Collecting 10 points or more will qualify you to enter the program at the Pioneer Level where you will enjoy the following benefits:

- Free Pioneer Welcome package, including your personal Pioneer Card and detailed information about the Program

- An unlimited life long, 5% discount on all Impossible films purchased through the customer’s account in the Impossible online shop. The discount will automatically be calculated and shown on the order summary before placing your online order of Impossible films.

- An unlimited life long, 5% discount on all Impossible films in all Impossible Project Stores (currently New York City and Vienna)

- Special Pioneer Card Holder Newsletter with exclusive information and access to special promotions / offers / special limited product editions

2. The Land Level
Upon completion of a few additional requirements, you will advance to the second level of the Impossible Pioneer Card Program and make your friends jealous with the following additional benefits:

- Increase of the life long discount on all Impossible film products up to 10 %. The discount will automatically be calculated and shown in the order summary before placing your online order of Impossible films.

- An unlimited life long, 10% discount on all Impossible films in all Impossible Project Stores (currently New York City and Vienna)

- Qualification for the exclusive Pioneer Test-User Program for testing and new film materials. Selected beta film versions will be provided for free in the coarse of Impossible product development

- Exclusive Priority access to limited stock promotions before sales opens to the public

- Access to Impossible’s exclusive SX 70 camera repair service, which will take care of your SX 70 camera for life

- Access and information to all Impossible worldwide Events

3. The Impossible Level
The requirements to reach the Impossible Level are admittedly nearly impossible to reach. But since we do believe in the Impossible and are ourselves eager to make it possible, we thought it would make sense to create this level – in order to spoil you with impossibly great rewards if you should be able to make the Impossible possible:

- A personal invitation from the Impossible founders for a personally guided tour at the Impossible factory in Enschede (NL), including accomodation and a handmade world famous cheese sandwich lunch. The first customer who enters the Impossible Level will furthermore be provided with transport.

- Impossible worldwide newsletter presenting your Impossible images

- Specially handcrafted Gold Edition of the Impossible Pioneer Card

Visit
The Impossible
Pioneer Homepage

 

to learn all details about the Program and log into your account to view your personal Pioneer status.
For any additional questions contact pioneer@the-impossible-project.com
“Don’t undertake a project unless it is manifestly important
and nearly impossible”
-Edwin Land, inventor of analog instant photography
and Impossible’s pioneer hero
22nd July
2010
written by

Artist Wanted just released the newest winner from their latest challenge.  I know this image isn’t film, but the contests are open to all art forms and film has won in the past.  This is a great opportunity to get your work noticed and also win some cash as well.  Most of the contests winners end up with some high visibility gallery time so get your work submitted for the next one.  They are now offering a promo code (found at the bottom of this post) to get your first submission free.  Here are the details of the current winner and a link to his gallery…

This is it, the announcement of the selected photographer for the Grand Prize Award. With such an incredible array of inspired work to review, our judging panel took extra time to make this momentous decision. EXPOSURE attracted entries from around the world, from Morocco to Mexico, from Seattle to Shanghai and beyond. The work submitted transcended language, revealed culture and told countless stories from every corner of the planet.

It’s an honor to be a part of this world-wide conversation and next week we will be highlighting 99 other photographers whose work stood out to our judges.Stay tuned to this e-mail list for that announcement. Without further ado, the winner of Artists Wanted’s second annual EXPOSURE competition is:

Andrea Galvani
of Milan, Italy
“I work for weeks in an area. The process involves camping out, building temporary structures, shifting animals, people and physically intervening the space. In fact, I feel that I need to get close to the land, to slowly repossess it in order to then violate it, turn it on it’s head…” His deeply involved process and incredible images impressed our judging panel and we hope the world at large will feel the same way.
Also, stay tuned for next week’s announcement highlighting another 99 outstanding portfolios.
An Opportunity for All Artists,

What would you create for $5,000, three months in NYC, and your very own art show? Our partners at 3rd Ward, are in their final 7 days of the open call for art of all mediums.

The Summer 2010 Open Call is a juried international art competition looking for dynamic, inventive and provocative work of all mediums: painting, drawing, sculpture, animation, photography, illustration, graphic design, installation, video, performance, printmaking and more!

You are invited to submit a portfolio of your best completed artwork, work-in-progress and/or conceptual proposal to be considered for the 3rd Ward Open Call. The awards are generous, the community is strong and the world is waiting to see what you have to show.


Use promo code “ArtistsWanted” and your first submitted image is free!

Click for details & to submit!

 

22nd July
2010
written by
Dive Into
Wider
Possibilities
The range of new instant films by Impossible is undergoing an exciting expansion and we are proud to present the legendary, larger integral instant film format for usage in all Polaroid Image, 1200 & Spectra cameras with the unique Silver Shade characteristics.
PZ 600 Silver Shade
This new material, compatible with all Polaroid Image, 1200 & Spectra cameras, introduces the beautiful monochrome characteristics of Silver Shade chemistry to the cinematic Spectra/Image format. Based on the latest, state-of-the-art Silver Shade chemistry this new film is especially targeted towards the experienced analog photographer as it is highly manipulable, featuring a surprising potential of characteristics, soft tones, delicate moods and astonishing detailed results. Learn all details about the usage and proper handling of PZ 600 Silver Shade on the All About page.

As a special feature the new PZ 600 Silver Shade will be the very first film ever featuring splendid top lines. Just like the famous racing stripes introduced by the auto industry in the 1970s, these lines not only look speedy but they helped us restart the production process. The lines help guide the new mask material and Silver Shade photosensitive foils through the assembly machines thus minimizing fallout. This enabled us to present the first PZ 600 Silver Shade production run of 16,000 packs total.

Specifications
Film Speed:
ISO / ASA 600 / DIN 29
Format:
3.5 x 4.25 in. (8.9 x 10.8 cm)
Image Area:
3.013 x 3.125 in (7.7 x 7.9 cm)
Finish:
Glossy
Exposures per Unit:
8 exposures per pack
Development Time:
3 minutes approximately
Get the new film for your
Polaroid Image, 1200 & Spectra camera
NOW
20 EUR
22 USD | 17 GBP | 1900 JPY
Buy Now
16th July
2010
written by

Some of the most fun I had during my college photography days were going out at night with a friend and shooting some long exposures.  There is something fun about locking the cable release and just letting time slip by while you have fun and wonder what the final results would be.  Even knowing the science behind night photography, you still wondered what your final exposure would look like and it was always somewhat of a guessing game.  Sure, there were frustrations with it like an airplane ruining your star trails, or your batteries giving up early on a cold night.  But overall, it was always a fun and rewarding experience and no matter what the subject matter, the pictures always seemed to impress my friends and family. 

Our friend Neal over at ThorleyPhotographics has written a nice article on how to shoot long night exposures.  He’s even put together a nice EV chart for determining your exposure that you can print out and keep in your bag.  If you’ve never done any night photography than this article should help answer your questions and give you some confidence before you go stumbling through the dark with your camera.  Get out there and take some night shots and post them to the ReturnToFilm Flickr gallery.  You can view the article here.

16th July
2010
written by
Beat
The
Heat
Hot PX 600 News
&
Cooling Silver Shade Deals & Tricks
The Hot News
The PX 600 Silver Shade film is hot. Optimized for usage in all Polaroid 600 cameras, it turns every single shot into a wonderful instant adventure, delivering sharp images with an iridescent color tone range from b&w to sepia. The line of our PX 600 Silver Shade films is progressing and evolving constantly with every production run.

A big improvement was made on the 1st of June, when the Impossible team started using a new component. The new results made us jump for joy, but learning from the past we waited 4 weeks to very carefully test the results. Now the time has finally come to bring you the good news: the current version of the PX 600, the Version 06, produced from June on, is the very best and most stable material ever and now available for worldwide shipment.

The
3 cool deals
We want to use this new improvement as well as the current heat as an opportunity to clean up our cooled warehouse shelves, re-organise all so far produced materials globally and once more let you know exactly how to handle and shake the PX 600 – at really cool prices.
06
PX 600 Silver Shade
New – Version 06
Simply the very best and most stable PX 600 Silver Shade material ever. It is strikingly better than the material from the previous production runs as we are using a new component. André Bosman, our head of production and development explains: “The biggest change is the addition of a new chemical (substituting pyridinium-bromide). The result is a better black and much improved stability, nearly completely eliminating the killer crystal.”
Chance for occurrence of the LLP Loose Lamination Problem: 0 %    |  Learn more
Chance for attack of the killer crystal: 2 %    |  Learn more
PX 600 Silver Shade
New 06 Edition
20 EUR
22 USD | 17 GBP | 1900 JPY
Buy Now
05
PX 600 Silver Shade
Version 05
The first new, main edition of the PX 600 Silver Shade Instant Film still possesses an experimental nature that will lead to changing results depending on light conditions and temperature. Its most evident improvements compared to the First Flush Edition are the complete elimination of the LLP Loose Lamination Problem due to the introduction of a new generation of rail material, the elimination of the black dot phenomenon due to an improved filtration procedure, the reduction of the mystery tiny white specks appearance due to an updated recipe of the developing paste, and last but not least the expansion of the tonal range performance featuring blacker blacks and whiter whites.
Chance for occurrence of the LLP Loose Lamination Problem: 0 %    |  Learn more
Chance for attack of the killer crystal: 20 %    |  Learn more
PX 600 Silver Shade
05 Edition
18 USD
Buy Now
Available stock for US & Canada: 1173
Available stock for Rest of the World: 0
FF
PX 600 Silver Shade
First Flush Edition
This edition was the first PX 600 Silver Shade that we produced and released. It works best for the specialists among us who enjoy an analog challenge. It is the most experimental material that will produce changing results depending on light conditions and temperature. Pictures may change even weeks or months after exposure. Early batches of these first flush edition films may have some peculiar characteristics, such as white dots and/ or an undeveloped patch in the picture area. The chance of LLP is rather high, but we learned that many of you don’t mind or even like this flaw as it’s perfect to do Image Lifts.
Chance for occurrence of the LLP Loose Lamination Problem: 70 %    |  Learn more
Chance for attack of the killer crystal: 40 %    |  Learn more
PX 600 Silver Shade
First Flush Edition
14 EUR
14 USD | 12 GBP | 1600 JPY
Buy Now
Available stock for US & Canada: 3848
Available stock for Rest of the World: 157
NOTE:
This film cannot be returned as part of the LLP Compensation Program.
The
Heat Beat Trick
And other important hints
The PX 600 Silver Shade film material is rather like a sensitive analog friend. It requires proper handling – but if handled correctly, it will reward you with unique instant results.
Beat The Heat!
The chemistry of the PX Silver Shade films is very sensitive to temperature. For most balanced results, it is recommended to provide a medium room temperature of 17-24°C (63-75°F). In extreme heat (25°C and above) the image will turn very dark and change to reddish and brownish. To beat the heat, cool the film and camera before shooting in your fridge or bring something cool along when shooting outside (cola can or a cooler). Also The Mijonju Show once more proved its inventive talent when trying to find out how to cool PX film down – watch his spinning idea here.
Living with LLP
Click to find all information about the LLP Loose Lamination Problem and watch our video to learn how you can easily clean the rollers of your camera that got dirty because of the LLP.

Store with Silica Gel
In order to store your PX Silver Shade shots in the most optimal way, let your images dry properly before putting them away into a dry box. As long as the picture has not completely dried after development, the ultra thin picture layer is vulnerable for attacks of the killer crystal that leads to alteration and fading of the image.

Storing your pictures in a bigger box that also contains a fair amount of Silica Gel will control humidity below 40%. With every order of a PX 600 film pack you will receive one high quality Impossible Silica Gel.

13th July
2010
written by
Mesdames, Messieurs:
Attention!
Impossible Takes
Arles By Storm
Have you ever heard of the famous Rencontres d’Arles Photography Festival? Since 1969 the crème de la crème of contemporary photography transforms the beautiful city of Arles (Southern France) into one single eye candy, chock-full of exciting exhibitions, debates and projects. To that effect we are tremendously excited to announce that this year, Impossible will be right in the middle of it – and now latch on to something stable – with nothing less than the first impressions of the upcoming Impossible color film!
impossiblexhibtion
Thirteen brilliant photographers, represented by Valerie Hersleven, have been working on Impossible’s new film materials and will show their works during the Impossible Exhibition (5 – 13 July) at the famous Bar de la Roquette. They have been fighting, struggling, exploring, caressing, inhaling, punishing, hating and loving our new, still experimental film materials, pushing them beyond all limits. At the exhibition they’ll show what’s magically possible with the Impossible.

The highlight of the exhibition is for sure the premiere of the experimental works taken on beta material of Impossibles upcoming color film, steming from the very first pre-production test runs. The upcoming color film material is therewith taking its very first, little steps out into the waiting world, while it is still being finetuned and finished into all details at the Impossible factory in Enschede. As a typical member of the Impossible family it so far prooves to be quite self-willed and unique, and it makes you loving it for its charme and beauty.

Coco Amardeil, Mathieu Bernard-Reymond, Julia Fullerton-Batten, Louis Gaillard, Peter Granser, Frédéric Guelaff, Laurent Humbert, Christoph Morlinghaus, Hervé Plumet, Estelle Rancurel, Michael Schnabel, Bjorn Tagemose and Jan Van Endert are featured in the Impossible Exhibition.
Beyond that, the Polaroid Collection will show a selection at Arles, Florian Kaps/doc will join a public debate about the Polaroid Collection, and the exhibition “La Controverse du Polaroid” will feature several Originals of the Impossible Collection. Doubtlessly Impossible inspirits this years Rencontres d’Arles Photography Festival.
Get an Impossible Exhibition Catalogue For Free
With Every Order as Long as Stock Lasts
As you might not make it to Arles and as we feel like celebrating all these enjoyments, we are happy to give away one free copy of the Impossible Exhibition’s Catalogue. It does not only feature some meaningful information about the fruitful cooperation between Impossible and Valerie’s photographers, but provides insight into the work of the photographers and their thoughts about Impossible’s film materials.
Available from our Warehouses from Tuesday, July 13 onwards.
As long as stock lasts.
Impossible
Color Shade
To close this Newsletter full of good news with the icing on the cake, Impossible is excited to announce that the

First Flush Edition of Impossible’s upcoming Color Material will be officially presented and released on July 29.

This day will mark the start of the upcoming rave of color which will expand the fascinating and unique flavor of Impossibles film materials

13th July
2010
written by

As I’ve been gearing up for getting back into the darkroom, I’ve been spending some time looking over my old notes on B&W.  During college I shot B&W pretty much exclusively and it didn’t take me long to realize the importance of using filters in B&W photography.  B&W film sees all colors pretty equally so without a filter your contrast and tones will be pretty flat.  So you can slap on a variety of color filters to transmit certain colors while blocking others.  The key to all this is knowing which color filter to use to get your desired result.  I found a nice article with examples over at the Zorkikat website.  It takes a single image and shows the difference the filters will make on the picture.  After you have been shooting B&W for a while all this will become natural and you can even start to visualize the final photograph and know what to expect.  If you can only buy one filter the yellow is probably your best bet for the largest variety of shots.  It’s the most common filter used in B&W photography.  Personally I like the higher contrast look of the orange filter for most landscape work.  So check out the entire article here and get to shooting.  Post some of your results over in the returntofilm Flickr group.

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